You are currently browsing the tag archive for the ‘Gord Lewis’ tag.

moon over boats

It seems I’ve only had minutes here in the Hammer before it’s time to head out again. I truly lucked out in having a week of glorious summer weather since arriving from Costa Rica. The blue skies and sunshine just won’t quit.  I’ve unpacked and am now repacking to go to the northeastern US for a couple days – heading to a Quaker retreat in Vermont on a lake, so I sure hope this weather will follow me there and make the lake swimmable. Will then visit again with Cocky and Peter on the coast of Maine and stop in to see Carlos Guindon, who is moving forward with the final details of the Spanish translation of Walking with Wolf.

Between preparing to head out, juggling my book event schedule (have just added a talk on November 19 for the Kingston Field Naturalists), and meeting up with friends who I haven’t seen for a few months, this week has flown by as quickly as the planes that keep appearing above my house as part of the Hamilton Air Show. As is usual when I’m here in the Hammer, I’ve managed to catch a lot of live music this past week.

the saint

There is a new music venue  that opened up while I was in Costa Rica, just a two minute bike ride from my house. I can see myself becoming a regular here when in the city. What used to be the old Copperhead Bar on James Street North (or the Copper John or Copper Corner or something like that – a place I’ve passed for years but never really taken notice of) has been given a new life as “This Ain’t Hollywood” – more affectionately known as The Saint. Hammerheads Lou Molinaro, Glen the Hamilton Kid and Gary Daly have taken over this ancient beer hall (slinging beer since 1893), done a few smart renovations and added a big sound system. The new stage is filling with rock, punk and alternative acts passing through the area as well as regular open mic nights where local musicians and their friends and fans gather.

 Local singer-songwriter-music producer, JP Reimens, has organized a songwriters’ soiree at The Westtown over on Locke Street for a few years, but last week moved his Tuesday night gathering to The Saint. I’ve managed to catch the shows. It is a real nice room to see musicians play with good sightlines and there is a full clear sound. There is so much great talent around and you never know who will show up to perform or just drop by to see what’s going on: from the sultry sirens Ginger St. James, Lori Yates and Buckshot Bebee to guitar wizards Brian Griffith and Dan Walsh to the city’s songwriters with attitude Tim Gibbons, Linda Duemo and Dave Rave.

heather, jeff and me

Last weekend was “the biggest Ribfest in the country” on the Burlington waterfront. With my friends Jeff (no last names please – the CIA is watching) and Heather, we went over to hang out on the beach in the late afternoon and have a barbeque, waiting for the sun to go down before heading up to the biggest pig-out in the land.

burlington skyline

It’s a very different beach than the Caribbean shore in Cahuita I just spent the last two weeks on – chilly Lake Ontario sipping at its sand, just as often lashing it with serious waves. But the lake was calm and the full moon was rising and the city startled to sparkle as a gorgeous night came on.  

tom wilson

 

 

We rode our bikes up the waterfront path to the big rib-affair to see Tom Wilson, another of my favorite musical beasts of Hamilton, along with some great musicians, including Jesse O’Brien, keyboardist extraordinaire.

 

tom, jesse and harlan pepper

Tom’s son Thompson and friends have a band – Harlan Pepper – as well as a big self-promoting father who gets gigs and press, so these four young guys are getting some exposure  (opening for Tom’s show as they did on this night.) Some talent, some good songs, but still young and could do with some attitude. But the papa-musician, Tom, rocks as always and is guaranteed to be playing with hot talent no matter who he is at the moment – Blackie and the Rodeo Kings, Junkhouse, Lee Harvey Osmond, or he himself with an assembled band.

moon over house

 

 

That big full moon continued hanging over us the next night when I went to Sonny Del Rio’s birthday party. Sonny’s the father of the sax here in the Hammer – been playing forever and at 66 is playing more than ever and loving it.

 

 

gord lewis, sonny, dean

There was a backyard full of musicians and they stepped up to the mic, including Gord Lewis of Teenage Head who played a few with Sonny and friends. It was a real nice evening spent with my good friends Mike and Freda as well as Dean and Gary Duncan and his brother Randy, folks I love but I don’t get enough chances to see.

 

randy & dean

gary

 

It is so great to come back to this happening little city where good friends reside and I never need be bored – not a word in my vocabulary anyway.  Yet it is all on a scale that makes you look at the central core of Hamilton as truly down-town, as in the backbeat of a town, not the staccato of a big city.

Now I’m hanging my sign on the door of this blog

GONE ON ROADTRIP…THE DOOR’S OPEN…MAKE YOURSELF AT HOME…BACK SOON

Advertisements

k reflects

 

 

 

 

Aah, my last week in the Hammer. She’s been an attentive hostess this last week, our fair city. Blue skies, warm sunshine, no pollution (well, maybe that’s a relative thing), the bursting of bulbs and buds – all a perfect backdrop for getting my house and yard ready to be abandoned (well by me, not my house guy Ben),

jerry treeman

 

 

assisting my pal Gerry to take down the rest of the crumbling poplar tree in my back forty, spending some last precious moments with  friends, doing my taxes to the tune of a good return, gathering things for jungle living, and spending the second Friday of the month on the ever-fascinating James Street North.

mixed mediaThis once maligned street – the original road up into town from the harbour of the Port of Hamilton – has traditionally housed all kinds of storefronts, bars, and restaurants as well as the Canadian Forces Armoury and the original train station which is now a large dining room and conference center.  There’s also a whack of Portuguese and Italian mens’ clubs and cafes which is where I went to watch games with the old European men during the last World Cup in 2006.

I’m sure at one time the street would’ve drawn sailors off the big boats pulled into the harbor – I’ve met a sailor or two at Fisher’s , my local eatery & pub at the most northernly end of James Street North. When I grew up, across the bay in Burlington, and for most of its existence, the neighbourhood had a reputation for a mafia presence. venturaIt certainly has always had a tough spirit and a working class energy.

 

 The original Portuguese restaurants, the Wild Orchid and Ventura’s amongst others, have continued to thrive and the little Gates of India restaurant that consistently gets great reviews is still here. There are still a few long standing family-run businesses, Millers Shoes and Morgensten’s Department Store, that have survived the years. Now a larger variety of cultures are represented, East Indians and Koreans and West Indians included. But the biggest new crowd in the area has to be the arts community.

print studio

Sometime around the turn of the century (this last one), people starting buying up the old, now fading buildings, and turning them into  art galleries and studios. Torontonians with dreams of owning their own gallery or studio could actually do it here in the Hammer as the prices were hillbillyish compared to the over-inflated costs of the Big Smoke  which is only about 45 minutes down the highway.

So bit by bit the face of  James Street is changing – to the point that one is beginning to wonder where it will all end (besides at the bay to the north and the steep climb up the mountain to the south. ) As in, how long till Starbucks realizes a good thing? James Street South, which cuts across the upper “mountain” of Hamilton, has already filled with car dealers and is working on collecting big box type stores. Lower James Street, here in the heart of the city, holds the life of the Hammer.

James North Gallery

There are many characters responsible for the most recent turn of events – Bryce Kanberra, Dave Kuruc, Cynthia Hill, Jim Chambers – who first saw the possibilities for the street and were smart enough to take advantage of the cheap prices involved in renting and buying. Once people started coming to their galleries and shops – the You Me, Mixed Media, the Blue Angel and James North Gallery – they were intrigued by the possibilities and, well, the rest is modern history.

old silk

On the second Friday of each month, the street opens its doors for the Art Crawl.  I think this has been going on for four or five years. In the beginning there were maybe ten small galleries, mostly simple renovated spaces created within old funky buildings with an abundance of red brick and ubiquitous white drywall backdrops to hang paintings. In the last two years, there have been many other artist-held spaces opened and you could no longer do the street at a crawl – you now have to scurry to get through all the openings and exhibitions. This last Friday night saw the opening of about five new or renovated spaces – and the bar keeps getting raised each time with the effort people are putting into their new ventures. 

The street was teeming – I mean, I was recently in New York City on a Saturday night in July-like weather and, well, okay maybe there were a few more people wandering the streets of the Big Apple, but in a relative kinda way (NYC – 10 million people – Hamilton 500,000)  James Street North was packed and the atmosphere was exciting.

with freda & susie

 

 

With my friends Freda and Susie, we wandered through the galleries and couldn’t believe the buzz on the street. I’ve always found it hard to catch everything:  the art openings, the occasional busker or performance artist, the friends you bump into, and now add the local fashion designers’ studios as well which could demand trying on clothes! Sheesh, you need a weekend to do the whole street anymore, not just the evening. 

blackbird studio

I have talked before about Blackbird Studios, just off of James North on Wilson Street – Kiki and Buckshot have a dramatic line of clothing that has a sense of humor as well – it was one of their hot dresses that I wore to the Hamilton Music Awards last November. I stopped by their shop and was amazed at the racks of clothes and the new styles – and Kiki told me that it was empty compared to a few weeks ago before they had a big sale.  Prolific gals these two, charged with dressing the hard rock Hammer girls, and obviously starting to attract good attention. 

olinda

Just down James North, there is a new clothes designer who also does alterations and custom tailoring – Olinda, a young woman from El Salvador. With her extended family present, she had the grand opening of her shop, Olinda’s, with  free pizza and cake and a beautifully redone shop. 

olinda's

This building used to house a tattoo parlour and now it has a rose-coloured paint treatment and curtained dressing rooms. The care that Olinda and her family have put into this is a good sign for the quality of work she must do.  I doubt that she will be a direct competition to Blackbird – these are two very different styles with Olinda bringing in that Latin flair – but hopefully they will augment each other’s business and bring in women looking for original designed clothes (and in Olinda’s case, tailoring and alterations) that aren’t outrageously priced.

clay studio

Another changed space, just across the street, is The Clay Studio.  Grazyna, who does fine and interesting ceramic work, has moved down from a large space on the third floor of the building into a more reasonably-sized room that incorporates her studio and gallery. I have spoken with this friendly artist before, and am happy to see that she has moved into this space and it looks to fit her just right. She’s bound to get much more attention at street level whereas the galleries that lurk in the upper floors of these buildings take awhile for people to discover yet are always worth the walk up.

artists inc

In a short two blocks there was a bit of art theatre going on at Artists Inc, one of those bizarre scenarios that you have to watch for awhile.  There was also Gord Lewis, of Teenage Head, and Chris Houston, another Hamilton rockero, accompanying a photography retrospective of punkers and rockers at the Sonic Unyon building – I think Gord was going to play but we had to leave.  There was also a duo singing at the James North Gallery and an intense anti-smoking display at another new space put on by a group of university students . With a pig’s lung hanging in the window, they were intent on making a harsh point, but I got the impression it was mostly non-smokers hanging around anyway. The street is nothing if not eclectic.

tribal window

There is a new boutique selling  African and Indonesian art and imported items, the Tribal Gallery, just two doors down from the Woodpecker, which seems to me to sell basically the same stuff. It is wonderful to see a mix of cultures here though I don’t know how two such stores will survive in the same neighbourhood but I wish them both well.

Barbara Milne, at the Pearl Company, runs the Art Bus, taking people to openings around the Hamilton area on the first two Friday nights of each month.  The second Friday the tour visits other local galleries in the central city with openings but also takes in the James Street North Art Crawl.  I truly appreciate the Art Bus service – if you are in Hamilton on one of the first two Friday nights of the month, pay the $15 and leave your car at the Pearl and join the bus with Barbara’s enthusiastic commentary – it’s always a real enjoyable evening. 

flowers

The warm summer evenings have always been busy on James Street North. Now that there is more and more to experience during the Art Crawl, and each new business brings in a new mix of followers, these Friday night events will be just that – big events.  I hope that it spills over into bringing in good business throughout the month to the shops and galleries that line the street. Many of them offer locally produced items – like Mixed Media which is an art supply store but also carries local artists’  and writers’ work (including Walking with Wolf.) I have barely touched the list of artistic endeavours going on. I can’t imagine what James Street North will be looking like when I return in September. I hope it doesn’t outgrow its grassroots and start getting a corporate, chainstore effect going on. It’s magic is in the individual personalities of the businesses, their enthusiastic, energetic and talented owners, and the historic, funky character of the buildings that have come back to life on James Street North.

the truck of books

On a book related note, I received the new shipment of 2nd edition Walking with Wolf books.  The truck was supposed to arrive on Friday – a day calling for pouring rain that had me worried – but there was a knock on my door Thursday morning (luckily I was home) and a trucker telling me that his great big tractor trailer wasn’t meant for my narrow residential street.  Well, I coulda told him that if someone had asked me. When he opened the doors, there was my lonely little skid of boxes in an otherwise big ol’ empty trailer – carbon neutral be damned. My neighbour Bev came out and helped and we got those boxes of books into my house lickety split under a blue sky with no threat of rain. There’s a shipment of books headed to Costa Rica as well and Wolf and I will soon be visiting our old pal Eliecer, our customs man in Alajuela, to get them out of customs purgatory.

yard with tree

 

 

I’ve been working on my yard – the before and after pictures show my progress – and because of the tree that went down, it has now turned from a shady to sunny space. My yard consists of a terrace, beach, gardens, campground and work compound – it’s an oasis in the city and keeps me sane whenever I’m forced to be here and live like an urban animal.

full yard

 

 

 

 

 

 

 

lori

 

 

I’ve had some real nice visits with friends who’ve come to say goodbye and know that I will be missing them soon enough.

So now I’m on my way, floating down a sweet stream and letting the current have its way with me. I am truly excited to be heading back to Costa Rica and Cahuita and Roberto and his jungle home. And to see Wolf again and take care of details involved in Caminando con Wolf, the Spanish translation of our book. The next time I write I’ll have monkey songs in my heart and wolf howls on my brain.

molly

 

But I know I will be thinking fondly of the humble but hot-headed Hammer, wondering how she is doing – like a ragged mutt who has finally found love in a new home and is starting to shine with the  attention. The prolific growth of creativity that is happening here  is taking the Hammertown down her own stream (not the way of the Red Hill Creek I trust) – hopefully to an interesting and bright future. Shine on my Hammerhead friends! See you in the fall.

frankie-release-party-7069191

 Frankie Venom 1957-2008 

Well, where does one start? I’ve just survived a week of music here in Hamilton, Ontario, where the king is (was) a punker and rock still rolls but there is room for everything.  The Hamilton Music Awards is an event that stretches over four days and takes up the downtown of the city. This is my fourth year volunteering backstage and each year I’ve been turned on to more great music, met more talented and whacky musicians, and come away having walked and danced beyond what my feet are happy with.                                                     jp                                                                     

The Hammies are the work of Jean Paul Gauthier, who grew up around his parents’ bar and the musicians who played there, then went on to establish the Hamilton Music Scene Festival in 1995 that has now grown into the music awards and festival.  JP manages musicians, produces concerts with Daniel Lanois and has brought a variety of names to the awards – Lanois, Garth Hudson of The Band, Eugene Levy, Ronny Hawkins, U2(via satellite).  The venue changes each year and this year the show took place in the Hamilton Place Studio Theatre, a very industrial mid-sized concert room – and the room was packed.  This was the year of Teenage Head, one of the original punk bands, and they were being honored with a Lifetime Achievement Award.  That honor was announced back in October the same day that their lead singer, Frankie Venom, died of throat cancer.  So the weekend naturally became a memorial gig for Frankie.  As was said in the local paper on Monday, this weekend was a punk love-fest.  I have to say, there is something very sweet about a roomful of leather-clad hard-rock looking punkers with tears in their eyes.  After eight years in this city, I’m quite sure that the music community here is about the tightest and proudest in the land – tribal, as one of them said to me.  They may fight inwardly, but outwardly they’ll watch each other’s backs. And proudly declare their love of the Hammer.  And grieve for the loss of their own together.

panel-no-tom On Friday, the weekend kicked off with a music conference for high school students.  I was out at the Thursday night opening reception and had gone to catch some of JP Reimens and Brian Griffith picking their guitars and singing sweet songs till late at night, but was up to help at the registration table for the conference.  I agreed to come in just to have the chance to see the morning panel.  It was on the future of the music album and was moderated by our east coast friend, Bob Mersereau.  Bob lives in Fredericton, New Brunswick and is a long time arts reporter for CBC TV.  Last year he authored the bestselling “Top 100 Canadian Albums” and now spends his time discussing his choices with people from across the country.  I doubt that the conversation will ever stop.         

Bob’s a great guy. I met him last year when he came here to be a presenter at the awards.  JP had invited him since 16 albums on the list are from Hamilton.  Bob loved it here and begged (as he says) to come back.  He was joined on Friday’s panel by Graham Rockingham, who covers music for the Hamilton Spectator; Ric Taylor, all-round media music guy; Amy King, a music producer in Hamilton who also came from the east – Newfoundland; and Hamilton’s own Tom Wilson of Florida Razers, Junkhouse and Blackie and the Rodeo Kings.

tom-on-panel1

  Although Jean Paul is in charge of keeping the embers glowing on all aspects of the production of this awards weekend, Tom is the flame that keeps things hot.  I’ve talked about Tom before in this blog [see East Coast Pleasures] when he showed up on the hamilton365 website on Canada Day – I agreed that he would be my choice of Canadian songwriter who speaks to me of home and has an attitude I can identify with.  Tom is a big guy – physically he towers over you, vocally he fills the room, and his presence is impossible to ignore. The best part of him to me, besides his musical genius, is his irreverency.  He will say anything and he keeps things stirred up.

With two nights of award-giving, tele-prompted introductions and drawn out back-slapping amongst the musical community, it could get real dull if it weren’t for the fact that Tom throws out verbal darts that prick you awake every once in awhile. He is smart, experienced and very very funny.  He has been engaged for a few years to a well known east coast (are you sensing a sub-theme here?) comedian, Cathy Jones, but made a point of announcing that that relationship was over. So whereas his little darts in past years had a bit of lovedust dulling them, this year they were definitely sharper.  He sat at the outrageous end of the morning panel, he emceed both the music industry awards on Saturday and the big award show on Sunday (along with the very wonderful, very nice, very funny actor Patrick McKenna), he took his turn singing a few songs at both Teenage Head shows and did a set with his hot new band (musical collective he calls it), Lee Harvey Osmond, on Saturday night.  And then he actually hung out on the dancefloor at the rap party on Sunday night when the young band, the Mississippi Kings, played. That’s a lot of energy – keep it rolling, Tommy – don’t ever let it stop.tom-sing

 

 

 

Bob Mersereau says that after spending years going to musical events and gatherings all over Canada, he thinks that the best ones are the East Coast Music Awards, held in various locations in the Maritime provinces, and this weekend in the Hammer. I would guess that, beyond other reasons, it is because these are events that celebrate home grown music that rises out of the soul of the place – though there would definitely be a different tone and rhythm to the east coast than here in the industrial Hammer. I missed if the panel on Friday drew any conclusions about the future of the album, but I did see a room full of students saying they still buy CDs, not just download single songs; I heard alot of discussion around some of the incredible albums that have come from Canadian artists – The Band, Neil Young, Joni Mitchell, Willie P. Bennett, on and on and on – and I heard them all talk about the difference between the business aspect of the industry and the artistry of the musician.  Real musicians/songwriters will probably always be inclined to make multi-song albums as complete reflections of the full collection of their creative work, despite what the industry might demand for sales. I had an interesting conversation a couple days later with my friend Dean Huyck who pointed out that the workshop aspect of weekend musical festivals is dying out along with the complete album – because of modern technology, today young musicians are able to produce single hit recordings in their home studios but aren’t necessarily experienced at jamming with other musicians or able to play beyond their own isolated basements.  As the older musicians, more experienced with playing collectively, stop participating in the workshops, the music jam slowly disappears. High-quality albums filled with one brilliant song after another are getting harder to find. The industry demands commercial success more than musical ingenuity…aaargh, it goes round and round.

ron-palangio-sextet

Over the weekend, there were many bands playing everywhere, but I can only talk about the shows I saw. On Friday night, I worked the door at the Pearl (my old friend, the Pearl Company) – where the Ron Palangio Jazz Sextet played a tight set of standards; followed by Shawn Trotter, a funny finger-picking guitarist with Scottish roots and great stories; and then the Lowest Lanes provided smooth harmonies to fill the lovely acoustics in the room.  This little trio does nice covers and a few originals – they get their name because they all work at the Hamilton Spectator, our local daily newspaper (on a side note, I finally did an interview today about Walking with Wolf  with Jeff Mahoney who writes a column in the Spec).  Then Santucci and Doumas were going to be playing but I cut out to go and catch the Teenage Head show that was to be a tribute to the fallen Frankie Venom.

head-with-mickey

It was late when I walked into this sea of men with big frizzy hair, cloaked in black leather jackets (can there be a black cow left alive?), with many a blonde at their side, at Hamilton Place – fortunately, in true punk-style, the show was going to start real late so I didn’t miss anything (I knew I would miss Rackula and The Forgotten Rebels who played earlier).  The remaining members of Teenage Head – Gord Lewis, Jack Pedlar and Steve Mahon – were accompanied on stage by two huge photographs of the late Frankie – as well as a line-up of local singers, each who covered a couple of songs – all aware that they couldn’t fill Frankie’s bottomless shotglass, that alone his stageman shoes. Tom Wilson, Tim Gibbons, Edgar Breau (who, in his nervousness, did this dance thing that I thought was brilliant – great seeing new moves Edgar!), Adam Castelli, Brad Germain of Marble Index, Jimmy Vapids, Chris Houston, the always colorful Mickey DeSadist and the raver, Dave-Rave, along with the Head musicians, rocked the house in Frankie’s memory. 

john-lewis

 

 

 

Gord’s brother John came out and sang a beautiful Irish lament accompanied just by Gord’s guitar, a song that they had performed at Frankie’s funeral – sorry I don’t remember the name of it – but it was a somber sweet note amongst the otherwise kick-ass stuff. 

 

 

gord-talk

As someone who wasn’t a Head fan when I was young (I was living in the northern bush in Quebec in the late seventies when the Head reared its ugly self listening to Harmonium) but came to love them when I was a little older – and who is pretty new in this community – it was very touching watching the emotion of the musicians and listening to the influence that Frankie and the band had on all these other musicians in the city. Gord Lewis talked alot over the weekend – on stage and while receiving awards – and spoke eloquently of his band brother Frankie. I think the most recurring theme was that he influenced them to write original songs – that it wasn’t good enough to be a cover band, and so as long as they were writing their own music, they would all support each other. That is a big reason why the Hammer is so smack full of original sound now – this town has its own distinct snarly voice.  Frankie was a rebel, and a punk, and a growling showman and a great singer of songs. It doesn’t matter if you don’t like punk music or even rock n roll, but you have to appreciate someone who has a stage presence that ignites rooms and a manner that inspires others. That kind of charisma is a gift and the rest is talent.  The night was magical, in a dark gruff steel-city kind of way and you had to be moved.

kim-koren

 

Saturday was the music industry awards that recognizes the work by media, promoters, album designers and music producers. The lovely Kim Koren won an award for Musical Event of the Year for the concert she organized and played at raising money for the SPCA.  I caught her resting, reading, and guarding her Hammie in the Green Room.  Kim and her husband Frank can be found contributing their talent to benefit concerts and needy organizations everywhere in the city.  She deserved the award, not only for the quality of her work, but in appreciation of her big heart.

Following the awards, there were three concerts that followed: the first was by local blues man and guitarist, Alfie Smith – who is recovering from his house having been burned back in the summer.  Then we were treated to a set by John Ellison, the man who wrote the song “She’s Some Kind of Wonderful” – originally recorded by his band the Soul Brothers Six and played on the black soul stations in the United States in the sixties, then made super famous on the white radio stations by Grand Funk Railroad. Apparently that song is one of the most covered songs in the world – and as John said, every time you hear it, be assured he is getting the royalties and still being supported by it.  He and his drummer Dean put on a high energy soulful set of covers and originals, including that famous song. Although when they came into the Green Room earlier in the day most people didn’t know who they were (and Dean told me that though John lives closeby in Dundas, they mostly tour in Europe, and we were lucky to have him there that day), by the time they rocked out the awards ceremony on Sunday with Some Kind of Wonderful to a prolonged standing ovation, we all knew who he was – not just a great entertainer and songwriter but a real nice proud gorgeous man.

The last show on Friday night was by Steve Strongman – by now I was only dancing and the camera didn’t come out, but his show blew out the room.  When all was said and done, two words came to mind with him – he was versatile in his guitar playing and song selection, and beautifully restrained in how he delivers both the vocals and the screaming guitar…as in it isn’t always screaming. And, having talked with him backstage a few times, a real nice guy.                                             MY HEAD GOES HERE

the-dress

We jumped into a taxi and tried to make it to see Lee Harvey Osmond at the Corktown, but walked on to the dancefloor just as the last chord hit – and despite a real appreciate crowd, the band didn’t return for an encore.  We headed to my nearby pub, Fisher’s, to finish off the night with the Sugardaddies – always a great band for dancing.

 

So before I finish up on this lovefest of Hammer-music, I have to throw in a fashion statement. Last week I went to Blackbird Studios where the design duo of Buckshot (she of the Evelyn Dicks) and kiki (she of the Lorrainas) make their glam rock creations. It’s a beautiful space they have and a dramatic line of clothes.  I bought this little number to wear to the awards show.  There were at least four of us wearing their line – and I got a lot of comments all night on the dress – to which I replied – “kiki from Blackbird dahling”.  Like at a real awards show! Very cool. Next year I’ll seek out a jewelry designer who will lend me a million dollar bauble to show off!

It was a long night but a musically-incestual hilarious celebration of the remarkable talent in this little city. There were many super performances by everyone from my old friends the Evelyn Dicks, to Rita Chiarelli, to Brian Melo (who won the big Canadian Idol contest last year and happens to be a Hammer boy), to Danny Lockwood – a session drummer who won at least three awards for his new big jazz album “A Few of my Favourite Grooves” and filled the stage with musicians and latin-beats (making me a little homesick for Costa Rica) – and finished off with another set by those never-say-quit Teenage Headers.  It was a repeat of the concert on Friday night, but we all could have kept jumping with them for hours more.  The after-party continued at the Corktown and I danced till the last chord was struck and the feet pleaded to take them home.

Whew – this blog is easily as long as the weekend was…I need Tom Wilson to step in hear and say something outrageous to keep you all going – but almost done…just a couple more things.

Monday I slept.

emil-y-lynda

Tuesday I went up to Guelph to present Walking with Wolf in my old university town at the eBar.  A good sized group of long-time friends, activists and many new faces came out to see the book show and hear the sweet sounds of The Regulars, who played before and after my little photo journey and readings.  I sold a nice buncha books and have to thank my pal Lynda Lehman (who I met in Monteverde in 1990 when she was with her old boyfriend Emiliano – who I saw in Guelph for the first time in maybe 15 years).  Lynda wrote a beautiful review of the book for the Bookshelf’s publication Off the Shelf and helped me put this evening together. I saw some of the folks who influenced me in my early years as an activist – Peter Cameron and Carole Milligan. What a privilege to share my book with them all these years later.

laurie-david

 

 

 And the lovely Laurie Hollis-Walker and her husband David came up from their home an hour away to share in the celebration since they hadn’t made the launch at the Pearl back in September – and gave me the opportunity to embarrass her in front of a crowd, thanking her for her work on laying out the book. And I made a fistful of cashola!

money

 

 

 

 

 

gbs

Wednesday night I had free tickets to see Great Big Sea – a band from Newfoundland who’s been singing its shanty songs across the land for years. My friends, Cocky and Peter, in Maine had met them last year and because of that, I got comp tickets here in the Hammer so I took my friend Bob. We had real great seats but were barely in them as it was an on-your-feet Newfie kitchen party most of the night. My still recovering feet were not amused yet rose to the occasion but actually I found that it was more of an arm work-out with all the hand-clapping involved. 

hand-clapping

After all the east coast references through the awards weekend, it was funny to go see an east coast band a few days later. They played in the Great Hall of Hamilton Place to a very packed-to-the-rafters house. The strange thing was that they made many many comments on not being a punk band, generally to a swell of applause by the crowd – obviously many east-coasters.  It was a great show and I thank Brit, the guitar tech who arranged for me to have the tickets. But after the punk lovefest that I had been a part of all weekend, and knowing that the Hammer is still mourning its king, Frankie, it seemed disrespectful.  I’m not sure what was behind all the comments(they said they’d been watching a Sex Pistols video that day), but I felt like I was in a foreign land, well a stranger’s kitchen, and I felt a bit like a traitor to my tribe.

Then I thought about Wolf’s line in our book that people shouldn’t get too territorial about things – and shook off the strange feeling. Instead I appreciated the performance for what it was, put the tendency-to-drama backstage, and remain thankful that there is this thing called music that rocks our worlds and satisfies our souls.

September 2018
M T W T F S S
« May    
 12
3456789
10111213141516
17181920212223
24252627282930
Advertisements