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If you’ve been reading this blog (and I know there are people faithfully reading – amazing but true!), you’ll know that I’ve been moving around a lot in the last few months. Since I started writing this little cyber-journal in April and then printed Walking with Wolf in May, I’ve written about my impressions and experiences while wandering through a bunch of places, selling a bunch of books. However, I don’t think I’ve written all that much about Hamilton Ontario, my birth place which I returned to after about twenty-five years of living in the northern bush and the tropical tangle.

In 2000 I came back here and bought a house with my ex-partner, Jim, in the fiercely proud north end of the city. Hamilton is a port and this is the oldest part of the city, close to the water. It was the only neighbourhood I was interested in living in, as it is bordered by the Hamilton Harbour and the Bayfront Park, giving me close access to the waterfront, as well as being a fifteen minute walk to downtown.  Although I wouldn’t swim in the water here, there are places that I can go to sit on a park bench and look across the bay, and totally forget where I am which I find quite conducive to day-dreaming and creative-writing.  As it says on the back of Walking with Wolf, I was born here but left, then came back rather unwillingly but stayed because I found this artistic renaissance happening here – and, always a grassroots person myself, I appreciated that the cultural revolution was swelling from the ground up.

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Hamilton, once a raging steel-factory-dominated city, built by Italians and with deep working-class roots, has always been maligned.  I grew up across the bay in Burlington, a suburban city – from there the body of water is called the Burlington Bay.  From the big houses along the Burlington lakeshore you look east or south at the Hamilton skyline of smokestacks and shoreline of slagpiles.  When the industrial barons built those big houses over in Burlington, they no doubt liked to look at the factories that were making them rich.  That skyline was one of the things that sent me running to the northern bush as a teenager. 

 

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Now, from my vantage point on the Hamilton side of the bay, I don’t see the factories at all.  I go a few minutes from my house and look north toward the tree-lined coast of Burlington, at the sailboats flying across the waves, the sun setting in the west, and the convoluted rocky Niagara Escarpment that adds a geographical uniqueness to the landscape.

I told Jim that I would stay here for two years and that was IT! I quickly found out that I could live here cheaper than in most places and that was reason to stay, since I was gone half of the year to Costa Rica. Jim had his work here and I began writing the book and didn’t want to uproot in the middle of that process. After a couple years, we bought the house directly across the street from where we were living – an indication of how much I liked the street and our neighbours. The neighbourhood changes constantly – people can actually afford to buy houses here and, even in a collapsed market, houses in this barrio sell quickly.  About four years ago I gave up my vehicle, realizing that I didn’t need it to get around in this city, preferring to walk or ride my bike, and public transit can take me easily to Toronto and the airport.  When Jim and I split up a few years ago, I stayed in the house which is perfect for one person, on this street where a number of single women live (a sign that it is a comfortable and safe neighbourhood to be in), and in this city, which slowly but surely seduced me with its dirty urban charms and incredible artistic community.

This is the appropriate time to focus on the gritty city (even our literary festival is called Grit Lit) because it is the week of the Hamilton Music Awards, when local fans and music industry folk get together to celebrate the Hammer’s musicians and the music.  This is my fourth year working as a volunteer backstage.  I do it simply to help JP Gauthier, whose brainchild this is, to honor the musicians, and to spend several nights feasting on the fine music here. 

Although the classics in all fields are represented in Hamilton (there is a thriving Philharmonic Orchestra and an ever-growing jazz scene), the music that excites me the most is the stuff that feels like it was born on the streets. The musicians I’ve met and those I’ve watched perform have a voice and a sensibility here that is very different from the other musical communities I’ve been part of – Quebec and Costa Rica – which actually share many characteristics – or eastern and northern Ontario. I’m not sure how to describe the difference – beyond being urban – but it is definitely fed by gravelly-voiced irreverant singer/songwriters (Tom Wilson, Tim Gibbons), vixen songstresses (Lori Yates, Buckshot Bebee, Jude Johnson), smokin’ guitarists (Brian Griffith), flying keyboard fingers (Jesse O’Brien) and a whole slew of talented musicians, raunchy performers and hard-working producers.  Uber-producer Daniel Lanois (U2, Bob Dylan, Neville Brothers, on and on) comes from here and returns regularly.  The music community tends to be very supportive of each other. In this city of about half a million people, there is still a feeling of it being a town, a hard-rock over-sized village, but there have been enough imports and exports that there is a bit of a cosmic-politan air as well, even if that air is a little dirty.

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Last Sunday afternoon, I set up a little Walking with Wolf table at the Mad Hatter’s Green Tea Party in Dundas (once its own town, now considered part of the larger Hamilton area unless, of course, you live there). After a week of balmy weather, it had turned cold and grey with frosty flakes drifting about.  So it was pleasant to be in a cozy room with a number of greenish vendors, a silent auction, live music provided by locals Kim and Frank Koren, and a bonus to be set up right next door to the coffee and goodies.  They were healthy ones and exceptional, especially a chocolate-covered mousse-filled biscotti….

Besides spending a very nice afternoon, I sold two books and traded another one for a stained glass peace dove and a glass bauble.  I also bought a theatre ticket from a fast-talking man who I had met the night of my book launch at the Pearl Company [see A Pearl of a Night.] The play, “You Are What You Do” is actually at that same Pearl in December and now I’ll be going, thanks to this very good salesman (not that I mind at all-in fact look forward to it). The organizers of the tea party – including Peter Ormond, a local Green Party candidate, and Barbara Maccaroni, a raw food chef and soon to be house-sitter while I head south – did a great job, provided us with a pleasant time, and even made a fair chunk of change for the Green Party. 

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The rest of the week is about the music. It got started off in a great way as people gathered last night at the Bread and Roses Cafe to celebrate Jackie Washington’s 89th birthday. Jackie is a local legend, a great blues man but not just that – he is reputed to know more than 1200 songs off the popular charts. He is a very entertaining storyteller, his voice strong and clear even on the cusp of his ninetieth year.  Jackie was born in Hamilton and has been singing songs since the age of five, first with his three brothers, and then as a regular well-loved participant in blues and folk festivals around the country.  He’s played with Duke Ellington, Lionel Hampton, Sonny Terry & Brownie McGhee as well as Joni Mitchell and Gordon Lightfoot. He no doubt could have had a career in the United States but instead rode the rails in Canada working for Canadian Pacific to satisfy his restlessness and always lived his life in the Hammer – in the words of songwriter Colin Linden, in a song sung by Blackie and the Rodeo Kings –  “He never crossed over that American border, though he lived just a few miles away.  He said ‘everything I need I can find right here – north of the USA’.” 

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A crowd of local musicians, fans and friends came out to honor him last night and listen to his stories of what the music business was like in Hamilton in the thirties, the sixties, the eighties – well, close to ninety years of tales and tunes.  So very happy birthday, Mr. Washington – “long may your sweet song carry on”.

 

 

 

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 Lori Yates

 

I was there with my pal, Lori Yates, and also bumped into guitarist extraordinaire, Brian Griffith.  Brian is Jackie’s nephew – he has the incredible musical genes that have been passed through this family – these genes also have given them both the longest fingers in the land. He is another man happy to stay in the Hammer and as he says, will only go on the road if the opportunity is just too much to miss – as in when he toured with Willie Nelson for three years and played with Bonnie Raitt or was asked by Dan Lanois to sit in on recording sessions. He is Hamilton’s guitar idol and the sweetest man as well.  That’s in his genes too.  

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                                                                                      Brian Griffith

 So for the next four nights I will be out at musical events, taking tickets at the door (at the Pearl, once again), running around backstage first at the industry awards on Saturday and then the big celebrity-laden rockin’ Hammies on Sunday, each night followed by fun and frolicking in the Hammer-core.  In the days, I’ll be re-working my power point presentation to present the book in Guelph at the eBar next Tuesday night as well as be connecting with the kind folks who are helping me set up book events next spring in Philadelphia, New York City, Boston and Maine.  Yaaaaawwww – excuse me -nnnnn…I’m getting tired just thinking of it.  

Your roving reporter will be back in a few days with more musical tales from the Hammer.

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